“Music for Modular”, an Epic Trip Through Synth Heaven

Album Review: “Music for Modular: by Lazy H

Written By: Dan Eachus

Lazy H’s latest release, “Music for Modular,” slated for April 24th, 2024, is a captivating journey into the fusion of classic band setups with the intricate world of modular synthesis. This album effortlessly marries the raw energy of traditional instrumentation with the futuristic allure of electronic soundscapes, resulting in a rich tapestry of experimental music that pushes the boundaries of contemporary jazz and electronic genres.

At its core, “Music for Modular” is an ode to the symbiotic relationship between human expression and cutting-edge technology. The album’s tracks emerge from improvisations and live jams, capturing the spontaneity and authenticity of traditional jam sessions while exploring the vast sonic possibilities afforded by modular synthesizers and sequencers.

The sonic landscape of the album is characterized by brash sawtooth synthesizers, sweeping ambient textures, and powerful drum beats, all enveloped in an atmosphere of controlled chaos. Each track takes the listener on a journey through diverse grooves and moods, from the infectious rhythms of Latin jazz to the ethereal ambiance of dub and the pulsating energy of bass music. The inclusion of irregular time signatures adds an element of unpredictability, keeping the listener engaged and intrigued throughout the album’s duration.

One of the standout features of “Music for Modular” is its ability to seamlessly blend electronic elements with the warmth and humanity of live instrumentation. Despite the highly electronic aesthetic of the sounds themselves, there is a tangible sense of organic flow and spontaneity that permeates each track, highlighting the skill and creativity of the musicians involved.

The album kicks off with “Start From an Arp,” a hypnotic groove built around pulsating synth lines and intricate rhythmic patterns. As the album progresses, tracks like “Skeleton Toes” and “Molten” showcase Lazy H’s ability to create immersive sonic landscapes that blur the lines between genres, drawing inspiration from diverse musical influences while maintaining a cohesive and distinct sound.

“Body Thaw” and “Tadasana Pose” introduce elements of introspection and contemplation, with lush ambient textures and subdued rhythms creating a sense of tranquility amidst the album’s more frenetic moments. These tracks serve as a testament to Lazy H’s versatility as composers and performers, demonstrating their ability to evoke a wide range of emotions and atmospheres through their music.

As the album reaches its climax with tracks like “Quicksilver” and “Better Off Alone,” the energy level rises once again, with pulsating bass lines and infectious grooves driving the music forward. The album’s closing track, “Allen,” serves as a fitting conclusion, bringing together all the disparate elements and influences explored throughout the album into a cohesive and satisfying finale.

Overall, “Music for Modular” is a triumph of experimental music, showcasing Lazy H’s innovative approach to composition and performance. By bridging the gap between traditional band setups and modular synthesis, the album pushes the boundaries of what is possible in contemporary jazz and electronic music, offering a glimpse into the future of improvised music. With its eclectic blend of sounds and styles, “Music for Modular” is sure to captivate listeners and leave a lasting impression long after the final notes have faded away.

About The Author
- Dan Eachus is the President and co-owner of RetroSynth Records, with his own musical projects in the band Neutron Dreams and his solo project DMME.